Alexia Fisher is a conceptual artist who works with symbols and metaphors to engage with her lived experiences. Fisher’s work encounters themes of Censorship, whether imposed by society, her diaspora upbringing or upon the self. Through a practice of embodiment, she uses materials to fuse and process her psychology. Crafting the materials without tools, she imparts the physical and emotional tension being carried by her own body - expelling restricted topics through the language of making and creating. Text is scratched into concrete surfaces, ephemeral drawings on the wall are washed over with paint and bodily impressions are left from re-enactments in the clay. A multimodal artist, Fisher delves into subject and research before stepping into the studio, a space of performative rituals and curation. She maintains a digital register alongside each body of work, capturing the ephemeral and collating her process. Formally, the works vary, but all are connected through the communication of diametric qualities - fragility and strength, care and brutality, and the temporal and permanent. Enveloped by symbolism the material becomes both tangible and ideological, striving to communicate ruminations too complex to say out aloud, touching the precipice of being heard and being seen.

b. 1986 is a conceptual visual artist living and practising on unceded Gadigal Lands (Sydney). Before returning to the arts, Fisher worked as a registered architect in design in Sydney, London and New York.  Whilst gaining her Masters in Architecture with ‘Higher Award Distinction’ and a Bachelor of Architecture from the University of Western Australia, she studied a semester abroad at the prestigious Politecnico di Milano, Italy. Fisher graduated as the Valedictorian (Dux) of 2023, receiving the Academic Achievement Award' for her Bachelor of Fine Art at National Art School. Alongside this, she received the ‘John Olsen Family Prize’ for Drawing and the ‘Matilda Kubany-Deane Memorial Prize’ for ceramics. Fisher has been a finalist in several awards including the 2024 Fishers Ghost Art Prize, 2023 Little Things Art Prize and 2021 Georges River Art Prize. Fisher’s works have been published in the Journal of Australian Ceramics.


CV

EDUCATION

2023 Bachelor of Fine Art, National Art School (Ceramics)

Electives: Relational Spaces, Performance to Participation, The Artist in Art History. 

2011 Masters of Architecture with Distinction, University of Western Australia. 

Electives: Photography, Sculpture, Furniture.

2007 Masters of Architecture, Politecnico Di Milano Italy 

2007 Bachelor of Environmental Design, University of Western Australia.

SOLO EXHIBITION

2024 Nine Hundred, Airspace Projects Sydney

2023 Purge., National Art School Sydney

GROUP EXHIBITION

2025 Artists’ Book Award - Manly Creative Library 

2024 Fishers Ghost Art Prize, Campbelltown Arts Centre

2024 The Spillway, Tiny Gallery and Flow Studios

2024  BFA Drawing Gallery, National Art School

2024  Annual Book Prize, National Art School Library Stairwell Gallery

2024  From the Ground Up, National Art School Library Stairwell Gallery

2023 BFA Graduate Show 2023, National Art School

2023 Little Things Art Prize, Saint Cloche

2023 Orange-cherry fizz, Pick’n’chews Sydney

2023 Pyroglyphics, National Art School Library Stairwell Gallery

2021 Georges River Art Prize, Hurstville Museum and Gallery

AWARDS

2025 ‘Finalist'  Artists’ Book Award - Northern Beaches Creative Library

2024 ‘Finalist'  Fishers Ghost Art Prize - Campbelltown Art Centre

2024 John Olsen Family Prize for Drawing - National Art School

2024 ‘Academic Achievement Award' Valedictorian, Bachelor of Fine Art - National Art School

2024 ‘Finalist'  BFA Annual Book Prize - National Art School

2023 Matilda Kubany-Deane Ceramics Prize - National Art School

2023 Happiness Award - Little Things Art Prize

2021 Sculpture Finalist - Georges River Art Prize

PUBLICATIONS

2024 The Journal of Australian Ceramics, Volume 63 No. 2, July

COLLECTIONS

He Carries Us’ 2023, Louise Boscacci, National Art School.

Fingers in the Park’ 2009, Penny Bovel, The University of Western Australia.

‘Landscape’ 2003, St Mary’s Collection